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Women's Irony

Women's Irony

Rewriting Feminist Rhetorical Histories

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Tarez Samra Graban


Paperback (Other formats: E-book)
258 pages, 6 x 9, 8 illustrations

Studies in Rhetorics and Feminisms


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About the Book

In Women’s Irony: Rewriting Feminist Rhetorical Histories, author Tarez Samra Graban synthesizes three decades of feminist scholarship in rhetoric, linguistics, and philosophy to present irony as a critical paradigm for feminist rhetorical historiography that is not linked to humor, lying, or intention. Using irony as a form of ideological disruption, this innovative approach allows scholars to challenge simplistic narratives of who harmed, and who was harmed, throughout rhetorical history.

Three case studies of women’s political discourse between 1600 and 1900—examining the work of Anne Askew, Anne Hutchinson, and Helen M. Gougar—demonstrate how reading historical texts ironically complicates the theoretical relationships between women and agency, language and history, and archival location and memory. Interwoven throughout are shorter case studies from twentieth-century performances, revealing irony’s consciousness-raising potential for the present and the future.

Ultimately, Women’s Irony suggests alternative ways to question women’s histories and consider how contemporary feminist discourse might be better historicized. Graban challenges critical methods in rhetoric, asking scholars in rhetoric and its related disciplines—composition, communication, and English studies—to rethink how they produce historical knowledge and use archives to recover women’s performances in political situations.


Tarez Samra Graban is an assistant professor of English at Florida State University and a coauthor of GenAdmin: Theorizing WPA Identities in the Twenty-First Century. Her essays on feminist rhetorical historiography and archival theory have been published in the journals Rhetorica, Gender and Language, College English and in the edited collections Working in the Archives: Practical Research Methods for Rhetoric and Composition, and Rhetoric and the Digital Humanities.